By: Catherine Hall
When war photographer Jo returns from her latest assignment in Afghanistan and moves into the Brighton flat she's just inherited, she hopes to restore equilibrium to her chaotic life. But images and events of her recent past and the reading of her great-grandmother Elizabeth's diary haunt her night and day, forcing Jo to come to terms with demons she thought she could leave behind.
Written as a long confession to Jo's ex-girlfriend Susie, alternating with Elizabeth's account of nursing Indian soldiers at the Brighton Pavilion in 1915, The Repercussions - Catherine Hall's most ambitious novel to date - is a sweeping narrative dealing with the psychological and emotional reality of war, as well as race, guilt, love and loss.
Published in 2015.
Published by: Alma Books
It's the midsummer ball at Oxford, and a group of men and women - friends since university days - have gathered under the stars. Included in this group is David Crimond, a genius and fervent Marxist.
Years earlier the friends had persuaded David to write a philosophical and political book on their behalf. But opinions and loyalties have changed, and on this summer evening the long-resting ghosts of the past come careering back into the present.
Published in 2003.
The Sea is John Banville's Man Booker prize-winning exploration of memory, childhood and loss.
When art historian Max Morden returns to the seaside village where he once spent a childhood holiday, he is both escaping from a recent loss and confronting a distant trauma. The Grace family had appeared that long-ago summer as if from another world.
Mr and Mrs Grace, with their worldly ease and candour, were unlike any adults he had met before. But it was his contemporaries, the Grace twins Myles and Chloe, who most fascinated Max. He grew to know them intricately, even intimately, and what ensued would haunt him for the rest of his years and shape everything that was to follow.
Published in 2008.
Drawing on history, literature, and his own experience of unrequited passion, Love is a thinly disguised picture of the author’s innermost feelings.
Stendahl’s obsession with Mathilde Viscontini Dembowski is at the heart of this book. For her part, she neither returned his love nor understood him. In an attempt to expain his feelings to her—and to exorcise his love—he dissects his passion.
Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal constructed a work that is both acutely personal and universally applicable.
Published in 1975.