Drawing on history, literature, and his own experience of unrequited passion, Love is a thinly disguised picture of the author’s innermost feelings.
Stendahl’s obsession with Mathilde Viscontini Dembowski is at the heart of this book. For her part, she neither returned his love nor understood him. In an attempt to expain his feelings to her—and to exorcise his love—he dissects his passion.
Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal constructed a work that is both acutely personal and universally applicable.
Published in 1975.
Published by: Penguin Classics
This is the story of a man who said that he would stop the motor of the world – and did. Was he a destroyer or the greatest of liberators? Why did he have to fight his battle, not against his enemies, but against those who needed him most, and his hardest battle against the woman he loved? What is the world’s motor – and the motive power of every man?
You will know the answer to these questions when you discover the reason behind the baffling events that play havoc with the lives of the characters in this story.
This is a mystery story, not about the murder of a man’s body, but about the murder – and rebirth – of man’s spirit. It is a philosophical revolution, told in the form of an action thriller of violent events.
Published on 21 April 2005.
The Handmaid's Tale is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States and is now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men in its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment’s calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and a tour de force. It is Margaret Atwood at her best.