By: Catherine Hall
When war photographer Jo returns from her latest assignment in Afghanistan and moves into the Brighton flat she's just inherited, she hopes to restore equilibrium to her chaotic life. But images and events of her recent past and the reading of her great-grandmother Elizabeth's diary haunt her night and day, forcing Jo to come to terms with demons she thought she could leave behind.
Written as a long confession to Jo's ex-girlfriend Susie, alternating with Elizabeth's account of nursing Indian soldiers at the Brighton Pavilion in 1915, The Repercussions - Catherine Hall's most ambitious novel to date - is a sweeping narrative dealing with the psychological and emotional reality of war, as well as race, guilt, love and loss.
Published in 2015.
Published by: Alma Books
It's the midsummer ball at Oxford, and a group of men and women - friends since university days - have gathered under the stars. Included in this group is David Crimond, a genius and fervent Marxist.
Years earlier the friends had persuaded David to write a philosophical and political book on their behalf. But opinions and loyalties have changed, and on this summer evening the long-resting ghosts of the past come careering back into the present.
Published in 2003.
When Charles Arrowby retires from his glittering career in the London theatre, he buys a remote house on the rocks by the sea. He hopes to escape from his tumultuous love affairs but unexpectedly bumps into his childhood sweetheart and sets his heart on destroying her marriage.
His equilibrium is further disturbed when his friends all decide to come and keep him company and Charles finds his seaside idyll severely threatened by his obsessions.
Published in 1999.
Gyuri, a fourteen-year-old Hungarian Jew, gets the day off school to witness his father signing over the family timber business - his final act before being sent to a labour camp. Two months later, Gyuri finds himself assigned to a 'permanent workplace'. This is the start of his journey to Auschwitz.
On his arrival Gyuri finds that he is unable to identify with other Jews, and is rejected by them. An outsider among his own people, his estrangement makes him a preternaturally acute observer, dogmatically insisting on making sense of the barbarity - and beauty - he witnesses.
Published in 2017.